ICWF 2006: R. Strauss/Stravinsky
It is not too late to apply. There are still spaces available in this workshop.
The ICWF 2006: Strauss/Stravinsky will focus on four works for large orchestra by R. Strauss and Stravinsky -- Don Juan, Death and Transfiguration, Petroushka, and The Rite of Spring. In the 10 orchestra sessions, participants will have 10 minutes on the podium. Each conductor will have individual choice of repertoire during sextet and score study sessions. In all sessions, podium time slots will be flexibly pre-assigned. In addition to the conducting sessions there will be score study sessions TBA with Mr. Mueller covering the repertoire of the workshop.
In the sextet sessions, participants will conduct a string quintet plus piano, which covers woodwinds and brass parts. Parts of some quintet sessions may be devoted to difficult excerpts that are pre-selected from the workshop repertoire. All participants will be encouraged to study this list of excerpts in preparation for the workshop. In the remainder of the sextet sessions, passages are to be selected by the participant.
Concurrent with the workshop, the International Conducting Workshop Festival will hold a chamber music festival -- 2 concerts devoted to music of the two composers and their contemporaries. All rehearsals and concerts are open to the participants.
Filharmonie Bohuslav Martinu
The Bohuslav Martin? Philharmonic Orchestrais named after one of the great Czech composers. The orchestra has made many radio recordings and CDs of his works since it was founded in the 1960's.
The repertoire of the The Bohuslav Martin? Philharmonic Orchestra consists of nearly all symphonic works of different periods including a considerable number of contemporary compositions. The members of the orchestra have formed several chamber groups whose performances supplement the concert season. Cooperation with radio and television stations together with recording activities have become a regular part of the orchestra's work. Some activities in recent years included recordings for the label Vienna Modern Masters, which concentrates on contemporary music recordings; Sergei Rachmaninov's complete symphonic works recorded for Bayer Records (Germany); and music of Anton?n Dvo??k for Albany Records (USA). Orchestra has recorded also movie music for Hollywood and new works of the contemporary american composers.
The home of the The Bohuslav Martin? Philharmonic Orchestra is Zl?n, a town in the east of the Czech Republic. With a population approaching one hundred thousand, it is a modern industrial center, owing its development to the BATA company, the founder of which Tom?? Ba?a succeeded in successfully combining his entrepreneurship and his philosophy of life.
Levels of Participation
All participants will have 8 sessions with the full orchestra. The criterion for participation placement is potential and promise that emerge from the audition videotape, musical background and previous experience. The workshop will be limited to 18 participants.
Participation will be mostly limited to returning participants and applicants who demonstrate a high level proficiency as well as experience and training. The auditor level is designed for those who have little experience and training, but show promise. Auditors participate in two designated auditor sextet sessions allowing ample opportunity to put the techniques they have observed into action.
Accommodations
All participants will stay in single rooms at a hotel located within easy walking distance to the rehearsal and performance facilities. Breakfast and one additional meal is included in the tuition fee.
Workshop Faculty
- Otto-Werner Mueller - Lead Instructor
- Virginia Allen - Assistant Instructor
Otto-Werner Mueller is Head of the Conducting Department at The Curtis Institute of Music and Conductor Emeritus at The Juilliard School. Born in Bensheim, Germany in 1926, Mr. Mueller has helped shape the orchestral training programs of distinguished musical institutions in the United States and Canada. After studying conducting, composition, piano, trumpet, and viola in Frankfurt, Mr. Mueller became director of the chamber music department for Radio Stuttgart at the age of nineteen and was founder and conductor of the celebrated Radio Stuttgart Chamber Choir. Two years later, he served as conductor of opera and operetta for the Heidelberg Theater, where he also founded and conducted an orchestra for dependents of United States military forces stationed there.
Emigrating to Canada in 1951, Mr. Mueller worked extensively for the Canadian Broadcasting Corporation as conductor of opera, ballet, and symphonic presentations. In 1958, he became teacher and conductor at the Montreal Conservatory. He later served as director of the Victoria Symphony and founder and dean of the Victoria School of Music. Mr. Mueller was a guest professor at the Moscow State Conservatory in 1963 and toured the Republics of the former Soviet Union in 1968 and 1970, conducting the Moscow, St. Petersburg, and Riga symphonies. He has conducted in every major city in Canada and has had guest appearances with the Scottish National Orchestra; the Krakow Philharmonic; and the National Symphony, Atlanta, Detroit, St. Louis and other United States orchestras.
Mr. Mueller has taught at the Yale University School of Music, University of Wisconsin-Madison, the American Choral Foundation's Summer Institute, the Aspen Music Festival, the American Symphony Orchestra League's conducting seminars, and the Los Angeles Philharmonic Institute. He has trained conductors of major orchestras, including the Philadelphia Orchestra, Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Boston Symphony Orchestra, St. Louis Symphony, Cincinnati Symphony, Pittsburgh Symphony, San Diego Symphony, Fort Worth Symphony, Swedish National Orchestra, Royal Stockholm Philharmonic, Munich Philharmonic, Auckland (New Zealand) Philharmonia and Santa Fe Opera. His former students are a virtual Who?s Who of young and established conductors: Alan Gilbert, Miguel Harth-Bedoya, Sarah Ioannides, Paavo J?rvi, Jahja Ling, Rossen Milanov, Raymond Harvey, and many others who currently hold Music Director and Guest Conductor positions across the globe.
Virginia Allen is a member of the conducting faculty at The Juilliard School in New York City and The Curtis Institute of Music in Philadelphia and an instructor for the Professional Institute for Educators at the University of the Arts in Philadelphia. She co-founded and conducted The Juilliard Trombone Choir and served as Executive Director of Starling-DeLay Symposium on Violin Studies. From 2002-2005, she was Artistic Director of the Sun Valley Summer Music Workshops in Idaho, where she founded and conducted the Sun Valley Youth Orchestra.
As a pioneer for women in military bands, Miss Allen was the first woman conductor of The U.S. Army Field Band and The Soldiers' Chorus in Washington, D.C., The U.S. Military Academy Band at West Point, The U.S. Army Forces Command Band in Atlanta, and the West Point Glee Club. Her career included an assignment as the Department of the Army Staff Bands Officer in Washington, D.C., where she managed over 100 Army bands and band activities worldwide.
A published composer and arranger, Miss Allen has written music for student instrumental and choral ensembles, as well as significant transcriptions for wind ensemble. Her music has been premiered, performed and recorded by members of the Chicago Symphony, the Philadelphia Orchestra, the San Francisco Symphony, the Washington Opera Orchestra, the Dallas Symphony, the Buffalo Philharmonic, the Brazilian Symphony Orchestra, the Juilliard Trombone Choir, The U.S. Army Band, The U.S. Army Field Band, and The U.S. Military Academy Band. She is a member of the American Society for Composers, Authors and Publishers (ASCAP) and a former Board member of the Conductors Guild and the World Association for Symphonic Bands and Ensembles.
Miss Allen studied French horn and conducting and earned a Bachelor of Music Education degree and a Master of Music degree in Performance from the Catholic University of America in Washington, D.C. and a Diploma in Wind Conducting from the University of Calgary. She also completed an internship in Performance Activities at Juilliard.
R. Strauss -- Don Juan and Death and Transfiguration
Stravinsky -- Petroushka (1947) and Rite of Spring